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| MR Blues Norman Mitch are the founding brothers |

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| Joe Houston with The Oozie Blues since 2002 |


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| The Oozie Blues 2007 |
| Mitch passed away on 9/06/05 |

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| Mitch & Norman founding members of the Oozie Blues |
| Hear The Oozie Blues |

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There are no "sidemen" in The Oozie Blues. Every member of the band can
and does step up to the microphone and take their turn singing and fronting the band. This is a key element in what
makes them so versatile and entertaining and in fact a "show band." About The Band Hear Oozie music


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| Put a guitar in their hand not a gun. |
The Oozie Blues are now playing for international blues festivals, concerts, corporate
and private parties.
in Tustin CA., We would
like to thank The City of Tustin. For more info on The Oozie Blues show in Tustin
please call 714-573-3326.
This is the third generation of Oozie Blues Show. Most of the members
from the first and second generation have passed on; some are too ill to play and others have gone into retirement. God
willing there will always be an Oozie Blues who wants to play his song. They are brothers and stand together in keeping the
art of blues, Jazz and R & B alive.
| Steve Guitar Guillory |

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| Played with Ray Charles |

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| Big T |

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| delacy White |

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| Big T |

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| Norman Pingrey |

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| Help us save sight |
Blues Blog

Cooks Corner one of our favorite places to play. Something natural about playing electric blues in a roadhouse.
Rocking The Blues-News
Real Blues Magazine 2004 Blues Crusader Proactivism Award Fred James (Road Records) Eddie Stout (Dialtone) Norm & Josie Pingrey
(Oozie Blues) .
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| Norman Pingrey band leader of The Oozie Blues and bass player |
| Find out more about Steve click on picture |
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| Steve Guitar Guillory He recorded with Ray Charles Love Country Style & many more. |
The art of the Blues will live forever if we give it our best. Most of us have
lived the blues only to play the blues. We have come to the Crossroads we all have a blues song to sing that
will touch your soul.

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| Need a Diploma? take a look at this |
Lyrics
http://www.jazzhouse.org
Tokyo-Blues.com
http://www.bikerlink.com/
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Visit Andy T and Smokey Wilson
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| The Oozie Blues and The Legendary Joe Houston |
Blues music is the most influential form of American roots music. It's heard around the world in jazz, rock and
roll, rhythm and blues, gospel, country. The blues is a national historic treasure, that needs to be preserved,
studied, and documented for the future.
Music for all. Our mission: creating, providing and expanding positively life-changing experiences through music for all.

http://www.bluesinbritain.org
http://www.louisianacajun.com
Sound-Tech Studio
Southern California Blues Society
| CD Reviews |

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This self-titled, debut CD by The Oozie Blues is rough, raw and full of energy. It is packed full of familiar
blues tunes played with genuine enthusiasm. The band is both electric and eclectic.
These guys are the Real Deal. Most of the vocals are sung by an L.A. bluesman who goes by "Mr. Blues". His
smooth laid back voice can be heard on tracks like: The Blues Are Alright, The Next Time You See Me and Steppin In/Steppin
Out. The slow blues tune Open House at My House tells a sad blues tale of a cheating woman with a set of lyrics that will
have you laughing your blues away.
Mitch "Ham Bone" Hammond's lead and slide guitar work is featured throughout. He steps forward and sings lead
vocal on; Little Red Rooster, Stop Breakin Down and Crosscut Saw. He sings with a tenor shout that makes for a good contrast
to Mr. Blues vocals. The bandleader/bassist, Norm Pingrey, handles the lead vocals on Built For Comfort and Sleepin In the
Lyons Den. He sings bass in style comparable to John Lee Hooker and Howlin Wolf. By rotating the vocal duties among the members
the CD really kept my interest. The rhythm section of Norm and Bob Winn is very tight and hard driving. Mr. Blues piano playing
is simple, yet affective. The guitar is up front in the mix and hot. He is not another Stevie Ray Vaughan clone. He has his
own style but I if one must compare his style to some other guitarist Mick Taylor comes to my mind.
I could tell that this CD was recorded live in studio and not an elaborate studio production. I believe that
this band probably sounds the same at their club gigs. I am looking forward to their next release to see how they do with
writing their own material and to see if they can raise the production quality a notch.
The Oozie Blues will be recording most of the month of April, making a new CD of originals, which will also
be videotaped. The video and CD will be available in June 2003.
Review courtesy of Thaddeus Marx
Blues in Britan review  The
Oozie Blues are a loose conglomeration of West Coast based musicians who have included Joe Houston, Deacon Jones, TW Henderson
and Bob Winn amongst their personnel over the last three years; the current line-up comprising Mr Blues (vocals), Elliott
Chavers (sax), Terry DeRouen (guitar/vocals), Johnny ³D² (drums) and Norman Pingrey (bass/vocals), plus an anonymous guitarist who
features on slide/lead guitar on four tracks. As you might guess from the artists involved and the CD title, the music
is firmly based in West Coast blues and R&B stylings laced with plenty of funky grooves. Mr Blues takes the vocals
on four tracks, opening with his smoky vocals on the well-worn ³Everyday I Have The Blues², which features jumping sax
and sinewy guitar, ensuring its familiarity does not breed boredom. The same could be said of ³Something You Got², where
the familiar riff is driven by some muscular fretwork and soul infused vocals, ³Iım A King Bee², where buzzing sax and
wild slide create a menacing mood, and ³I Wanna Know, I Just Gotta Know² with its downbeat vocals and guitar, and baleful
sax. Norman Pingreyıs booming bass vocals are perfectly complemented sinewy sax and guitar on the ³Green Onions/Help
Me² influenced grooves of ³Just Give Up², and the Diddley styled ³Josephine². He is equally at home on an up-tempo ³call
and response² R&B version of ³The Same (Old) Thing², but his vocals are just not suited to the soulful R&B of ³It
Must Be Love², although the backing is first class. Johnny ODı impresses, with his rich baritone, on ³How Blue Can You
Get², replete with fuzzed out guitar and moaning sax, whilst his soulful vocals are echoed sympathetically by Chaversı
sultry sax on ³Country Girl². Chavers then takes the lead with some stonking sax on the Champs inspired instrumental
³Funky Mama². West Coast blues and R&B aficionados will find much to enjoy on this fine set. Rating 8 - Mick
Rainsford

www.blues.pl/draheim The new Oozie Blues’ CD is here, thank you!
I am so glad you guys are keeping the old-school blues tradition
alive as too often this is not the case with modern recordings. Your take on the blues is honest and straight forward, just
the way I like it. From shuffles to slow low down songs, from harp playing to the mean slide guitar, it’s all
good. Together with resonant vocals “Blues School” is something blues fans should really check out. A treat!
http://www.rootstime.be/Door de wol en de blues geverfde muzikantenveteranen, die in een Blues School samenscholen, kan niet anders
dan indruk maken en resultaat opleveren. 'The Oozie Blues' maken hun reputatie van rasechte bluesinstrumentalisten meer dan
waar. Norman, Steve en Terry hebben allen gitaar gespeeld naast de allergrootsten. Delacy White neemt de drums voor zijn rekening.
Hij speelde tien jaar lang in de band van Barry White. Norman Pingrey, stichter van de band en ook basgitarist, zat ook al
lang in de muziekbranche en koos op een kruispunt in zijn leven voor traditionelere Amerikaanse rootsmuziek, aanleunend bij
de oude blues. Sinds het stichtingsjaar 2001 losten de bandleden elkaar af. Zij traden op in alle mogelijke locaties in Zuid
Californië, nachtclubs, restaurants, festivals en privé-feestjes. Twee albums werden uitgebracht die de muzikanten zelf verkochten.
De huidige bezetting is deels nieuw. Gitarist Terry DeRouen is er al een tijdje bij. Hij toerde nog met Guitar Shorty als
tweede gitarist. Hij stond ook op het podium naast grootheden als o.a. Big Joe Turner, Big Mama Thorton, Etta James, George
Smith en Lowell Fulsom. Alle protagonisten van de actuele Oozie Blues zingen om beurt hun blues voor zich uit. En bij stemtimbres
heb je nu eenmaal een zekere voorkeur. Persoonlijk pik ik er graag Steve Guillory uit, die als multi-instrumentalist naast
gitaar nog harmonica, dobro en orgel speelt. Op 'Hide and Seek' zet hij zich achter de conga's. Ook deze Steve is een oude
rot in het bluesvak. Hij toerde met James Brown en met Mighty Mo Rogers. De helft van de songs werd door Norman Pingrey geschreven,
maar ook Terry DeRouen schreef er meerdere. Zelfs Steve Guillory waagde zich aan het meeslepende ' Too Hard To Please', gevoelvol
gezongen door Steve met knap gitaarwerk. Vergeleken met de anderen, klinkt Norman's stem wat hol, maar hij kan dan weer mooi
zijn herinneringen neerpennen. In 'Time Tells', delicaat begeleid met harmonica, verwijlt hij terugblikkend bij een oude geliefde
en de jaren die heenvlieden. Nu hij met Josie getrouwd is, nam deze het management op zich en sindsdien trekt de band naar
alle plaatsen waar liefhebbers van 'old school' blues samentroepen. Dit 'Blues School' album is een eerste album in de huidige
bezetting en werd geproduceted door Norman en Steve zelf. De foto op de cover toont de school waar Terry ooit nog op de banken
zat. Deze bandleden van de 'The Oozie Blues' mogen alleszins een erediploma in ontvangst nemen met een authenticiteitlabel
en speciale vermelding. Marcie
Honey Davis and Mr Blues
About The Band
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